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collect figurative art. Art by Nicky Colton-Milne
Gabriel’s ... £286.50 Nicky Colton-Milne’s journalistic background gives her an edge in her photography. She applies a documentary story-telling approach which involves unobtrusively observing and capturing the essence, the moments, the details and the intimacy. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Walk in the ... £286.50 Nicky Colton-Milne’s journalistic background gives her an edge in her photography. She applies a documentary story-telling approach which involves unobtrusively, observing, capturing the essence; the moments, the details, the intimacy. Nicky Colton-Milne is available for new commissions.Please email for details: photography@gofigurative.com |
Blues Chord £286.50 Nicky Colton-Milne studied law and then moved into television where she was immediately drawn towards the visual aspects of television, concerned with the way things look. She moved fairly swiftly into directing, which involved visual storytelling..Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Hebrew Text ... £286.50 Nicky Colton-Milne studied law and then moved into television where she was immediately drawn towards the visual aspects of |
Café Culture £286.50 Nicky Colton-Milne’s journalistic background gives her an edge in her photography. She applies a documentary story-telling approach which involves unobtrusively observing and capturing the essence, the moments, the details and the intimacy. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Eyes Open £286.50 Nicky Colton-Milne’s journalistic background gives her an edge in her photography. She applies a documentary story-telling approach which involves unobtrusively observing and capturing the essence, the moments, the details and the intimacy. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Strolling th... £286.50 Nicky Colton-Milne’s most recent work depicts the beauty of the Lisbon spring. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com All photographs are printed on archive quality matte paper and mounted on MDF. For any other printing or mounting options, please email photography@gofigurative.com |
Take my Hand £286.50 Nicky Colton-Milne has an MA Photojournalism from Westminster University. She is influenced by many great photographers, including Henri Cartier Bresson, Martine Franck, Alex Webb, Abbas, Sally Field, Dorthea Lange, Bruce Davidson, Ian Berry, James Nachtway. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
The Deep End £286.50 Nicky Colton-Milne studied law and then moved into television where she was immediately drawn towards the visual aspects of television, concerned with the way things look. She moved fairly swiftly into directing, which involved visual storytelling.. |
Bridesmaid £286.50 Nicky Colton-Milne’s journalistic background gives her an edge in her photography. She applies a documentary story-telling approach which involves unobtrusively observing and capturing the essence, the moments, the details and the intimacy. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Elegance £286.50 Nicky Colton- Milne’s documentary film-making training, together with her formal photojournalism training, has taught her to tell stories through images, to observe, capture the moments and reveal the essence of subjects. Nicky Colton-Milne is available for new commissions. Please email for details: photography@gofigurative.com |
Prima Dreamer £286.50 Nicky Colton-Milne describers her style as documentary, observational photography and the role of figurative art as capturing, |
Guest Article: How do you like your art?
I have worked in the art world for almost ten years and every now and then I am still surprised by the different viewpoints that exist on the topic. For example, when I work I have a very functional view - I tend to think of an artwork as a thing made out of canvas, paint, steel, bronze, plastic or a combination of materials. This thing (or pair of things) needs to be framed, installed, condition checked, repaired, crated, flown, customs cleared, preferably not damaged and especially not lost.
